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    <dcterms:title><![CDATA[Esemplare o sia saggio fondamentale pratico di contrappunto fugato dedicato all&#039;illustrissimo, e reverendissimo monsignore Gennaro Adelmo Pignatelli ... da F. Giambattista Martini Minor conventuale ... parte seconda]]></dcterms:title>
    <dcterms:creator><![CDATA[Giovanni Battista Martini]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Gregg]]></dcterms:publisher>
    <dcterms:date><![CDATA[1965]]></dcterms:date>
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    <dcterms:title><![CDATA[Il principe dei musici]]></dcterms:title>
    <dcterms:creator><![CDATA[Giovanni Iudica]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Sellerio]]></dcterms:publisher>
    <dcterms:date><![CDATA[1993]]></dcterms:date>
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    <dcterms:title><![CDATA[Gesualdo the man and his music]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Oxford University Press]]></dcterms:publisher>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:contributor><![CDATA[Igor Fedorovitch Stravinsky]]></dcterms:contributor>
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    <dcterms:title><![CDATA[Gesualdo the man and his music]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Clarendon]]></dcterms:publisher>
    <dcterms:date><![CDATA[1991]]></dcterms:date>
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    <dcterms:title><![CDATA[Carlo Gesualdo and the Delimitations of Late Mannerist Style]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:date><![CDATA[1974]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
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    <dcterms:title><![CDATA[Imitatio and emulatio : Changing Concepts of Originality in the Madrigals of Gesualdo and Monteverdi in the 1590s’]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:creator><![CDATA[Ludwig Finscher]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Laaber-Verlag]]></dcterms:publisher>
    <dcterms:date><![CDATA[1986]]></dcterms:date>
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    <dcterms:title><![CDATA[The Gesualdo hex: music, myth, and memory]]></dcterms:title>
    <dcterms:creator><![CDATA[Glenn Watkins]]></dcterms:creator>
    <dcterms:publisher><![CDATA[W.W. Norton]]></dcterms:publisher>
    <dcterms:date><![CDATA[2010]]></dcterms:date>
    <dcterms:contributor><![CDATA[Claudio Abbado]]></dcterms:contributor>
    <dcterms:language><![CDATA[en]]></dcterms:language>
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    <dcterms:title><![CDATA[L&#039;oratorio dei Filippini e la scuola musicale di Napoli]]></dcterms:title>
    <dcterms:creator><![CDATA[Guido Pannain]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Ricordi]]></dcterms:publisher>
    <dcterms:date><![CDATA[1934]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
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    <dcterms:title><![CDATA[Note sui Responsori di Carlo Gesualdo da Venosa]]></dcterms:title>
    <dcterms:creator><![CDATA[Guido Pannain]]></dcterms:creator>
    <dcterms:date><![CDATA[1968]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Gesualdos Madrigal Moro, lasso, al mio duolo : Eine Studie zur Formtechnik des musikalischen Manierismus]]></dcterms:title>
    <dcterms:creator><![CDATA[Heinrich Poos]]></dcterms:creator>
    <dcterms:creator><![CDATA[Heinrich Poos]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Schott]]></dcterms:publisher>
    <dcterms:date><![CDATA[1983]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
    <dcterms:type><![CDATA[Book Section]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://ricercar.gesualdo-online.cesr.univ-tours.fr/items/show/2675">
    <dcterms:title><![CDATA[Das ästhetische Dilemma der italienischen Komponisten in den 1590er Jahren : die chromatik in den späten Madrigalen von Luca Marenzio und Carlo Gesualdo]]></dcterms:title>
    <dcterms:creator><![CDATA[Helmut Schönecker]]></dcterms:creator>
    <dcterms:publisher><![CDATA[P. Lang]]></dcterms:publisher>
    <dcterms:date><![CDATA[2000]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
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    <dcterms:title><![CDATA[Untersuchungen zum Verhältnis von Text und Vertonung in den Madrigalen Carlo Gesualdos]]></dcterms:title>
    <dcterms:creator><![CDATA[Hubert Meister]]></dcterms:creator>
    <dcterms:publisher><![CDATA[G. Bosse]]></dcterms:publisher>
    <dcterms:date><![CDATA[1973]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[Neuer Geist in überkommener Form: Gesualdos geistliche Werke]]></dcterms:title>
    <dcterms:creator><![CDATA[Hubert Meister]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Bosse]]></dcterms:publisher>
    <dcterms:date><![CDATA[1977]]></dcterms:date>
    <dcterms:language><![CDATA[de]]></dcterms:language>
    <dcterms:type><![CDATA[Book Section]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://ricercar.gesualdo-online.cesr.univ-tours.fr/items/show/2498">
    <dcterms:title><![CDATA[Gesualdo Re-Assessed]]></dcterms:title>
    <dcterms:creator><![CDATA[Iain Fenlon]]></dcterms:creator>
    <dcterms:date><![CDATA[1974]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright © 1974 Oxford University Press]]></dcterms:rights>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Tres sacrae cantiones]]></dcterms:title>
    <dcterms:creator><![CDATA[Igor Fedorovitch Stravinsky]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Boosey &amp; Hawkes]]></dcterms:publisher>
    <dcterms:date><![CDATA[1960]]></dcterms:date>
    <dcterms:contributor><![CDATA[Carlo Gesualdo]]></dcterms:contributor>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
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    <dcterms:title><![CDATA[An early 17th-century manuscript of &quot;Canzonette e madrigaletti spirituali&quot;]]></dcterms:title>
    <dcterms:creator><![CDATA[J. Kurtzman]]></dcterms:creator>
    <dcterms:date><![CDATA[1979]]></dcterms:date>
    <dcterms:language><![CDATA[it]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Proposition d&#039;analyse pour une polyphonie vocale du XVIe siècle]]></dcterms:title>
    <dcterms:creator><![CDATA[Jean-Michel Vaccaro]]></dcterms:creator>
    <dcterms:date><![CDATA[1975]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright © 1975 Société Française de Musicologie]]></dcterms:rights>
    <dcterms:language><![CDATA[fr]]></dcterms:language>
    <dcterms:type><![CDATA[Journal Article]]></dcterms:type>
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    <dcterms:title><![CDATA[Alessandro Grandi: A Case Study in the Choice of Texts for Motets]]></dcterms:title>
    <dcterms:creator><![CDATA[Jerome Roche]]></dcterms:creator>
    <dcterms:date><![CDATA[1988]]></dcterms:date>
    <dcterms:rights><![CDATA[Copyright © 1988 Royal Musical Association]]></dcterms:rights>
    <dcterms:language><![CDATA[en]]></dcterms:language>
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    <dcterms:title><![CDATA[The Cadence in the Madrigals of Gesualdo]]></dcterms:title>
    <dcterms:creator><![CDATA[John H. Anderson]]></dcterms:creator>
    <dcterms:date><![CDATA[1964]]></dcterms:date>
    <dcterms:language><![CDATA[en]]></dcterms:language>
    <dcterms:type><![CDATA[Thesis]]></dcterms:type>
    <dcterms:type><![CDATA[Ph.D.]]></dcterms:type>
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    <dcterms:title><![CDATA[Ludd! ; and, Canticle]]></dcterms:title>
    <dcterms:creator><![CDATA[John MacKendrick]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Alumnus]]></dcterms:publisher>
    <dcterms:date><![CDATA[1996]]></dcterms:date>
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